“Unfolding the Fan of Memory in Arthur Lourié’s Recollection of Petersburg,” Twentieth-Century Music 16 no. 2 (June 2019), 289-317.
“(Re)constructing Medieval Rus’ in Alexander Kastalsky’s Furnace Rite,” forthcoming in Sacred Contexts in Secular Music of the Long Nineteenth Century, edited by Effie Papanikalaou and Markus Rathey (Lexington Books, 2022).
Manuscripts in Progress
“Modernism.” In The Oxford Handbook of Music and Christian Theology, Vol. 3, “Contexts,” Alexander Lingas and Martin Clarke, eds. (Oxford University Press, anticipated publication 2023).
Review of Natalie Zelensky, Performing Tsarist Russia in New York: Music, Émigrés, and the American Imagination, forthcoming in Notes.
“Moscow/St. Petersburg,” in program book for Bard Music Festival, “Rimsky-Korsakov and His World” (Summer 2018): 32-34.
“Russian Choral Traditions,” in program book for Bard Music Festival, “Rimsky-Korsakov and His World,” 56-58.
“Two Anniversaries, a Wedding, and a Requiem: Stravinsky and Princeton, 50 Years On,” Essay for the program of Princeton University Glee Club and Chamber Choir concert, “Stravinsky in Princeton: A 50th Anniversary,” (December 2016).
“Russian-Speaking Communities in Oregon” (with Tatiana Osipovich), academic website (Summer 2013), https://sites.google.com/a/lclark.edu/rsco/home.