Creative Activity and Scholarship

Feb. 2022, Guest Artist-in-Residence

Wichita State University School of Music (Wichita, Kansas)

 

Oct. 2021, Presentation – “Seismic Shift: Towards A New Repertoire Paradigm for Orchestra Programs in Higher Education”

College Music Society’s (CMS) National Conference (Rochester, New York)

 

Feb. 2021, Performance Publication — Harlem by Duke Ellington, orchestrated by Luther Henderson and Maurice Peress; Performed by the Kennesaw State University Symphony Orchestra and Jazz Ensemble 1; Nathaniel F. Parker, conductor

College Music Society’s (CMS) Symposium

 

Feb. 2021, Virtual Presentation – “The Mozart Principle: Towards A New Repertoire Curriculum Model for Orchestra Programs in Higher Education”

College Music Society’s (CMS) Southern Regional Conference

 

Feb. 2021, Virtual Presentation — "License and Registration, Please: An Introduction to Performance Broadcast Copyright and Licensing”

College Orchestra Directors Association (CODA) National Virtual Symposium

 

Jan. 2021, Virtual Presentation/Workshop – “Preparing to Conduct at LGPE: A Masterclass on Conducting Technique”

Georgia Music Educators Association (GMEA) In-Service Conference

 

Oct. 2020, Article – “Everything in Its Right Place: Composer Jonny Greenwood and Rehearsal Strategies for Sound Mass Compositions”

College Orchestra Directors Association (CODA) Journal, Vol. 13 (October 2020)

 

Mar. 2020, Guest Artist-in-Residence

Sam Houston State University School of Music (Houston, Texas)

 

Feb. 2020, Guest Artist-in-Residence

Bowling Green State University College of Musical Arts (Bowling Green, Ohio)

 

Mar. 2019, Presentation – “CVs, Resumes, and Repertoire Lists, Oh My! Tips for Creating Effective Application Materials”

Kennesaw State University School of Music (Kennesaw, Georgia)

 

Mar. 2018, Presentation/Workshop – “Conducting for Music Educators”

Fayette County School System Orchestra Directors (Fayetteville, Georgia)

 

Jan. 2018, Presentation/Workshop – “Effective Gestures and Practical Score Analysis in New Orchestra Music: A Conducting Workshop” (Double Session)

Georgia Music Educators Association (GMEA) In-Service Conference (Athens, Georgia)

 

Oct. 2016, Presentation/Workshop – “Conducting for Music Educators”

Atlanta Public School System Music Teachers (Atlanta, Georgia)

                                    

June 2016, Presentation/Workshop – “Conducting for Music Educators”

Gwinnett County School System Music Teachers (Duluth, Georgia)

 

Mar. 2015, Presentation – “Aural Mosaics – Cultural Diversity in William Grant Still’s Orchestral Works”

College Orchestra Directors Association International Conference (Cincinnati, Ohio)

 

Nov. 2014, Presentation – “Approaches to Score Study and Preparation”

Marywood University String Celebration (Scranton, Pennsylvania)

 

Feb. 2014, Article – “Bruno Walter, Leonard Bernstein, and Tempo Interpretation in Mahler Scores”

Journal of the Conductors Guild, Vol. 31, No. 2 (2014)

 

Jan. 2014, Presentation – “Leonard Bernstein’s The Age of Anxiety – A Great American Symphony”

College Orchestra Directors Association National Conference (Ft. Worth, Texas)

 

Oct. 2013, Article – “Repertoire Forum: Anton Bruckner’s Overture in G Minor, WAB 98”

Da Capo: The College Orchestra Directors Association Official Newsletter, Vol. 1, Issue 2 (Fall 2013)

 

Mar. 2010, Presentation – “Conducting Basics”

Marywood University Junior High Honors Orchestra (Scranton, Pennsylvania)

 

Jan. 2010, Presentation – “Bassoon Maintenance and Reed Adjustment”

Pennsylvania Music Educators Association (PMEA) District 9 Orchestra Festival (Wilkes-Barre, Pennsylvania)

 

May 2009, D.M.A. Document – Beyond Eclecticism: Leonard Bernstein’s The Age of Anxiety

Michigan State University (East Lansing, Michigan)

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